YESTERDAY (2004, South Africa, 96 min.), written and directed by Darrell James Roodt;; produced by Anant Singh; cinematography by Michael Brierley; music by Madala Kunene; edited by Avril Beukes; with Leleti Khumalo (Yesterday), Lihle Mvelase (Beauty, her daughter), Kenneth Kambule (John Kumalo, her husband), Harriet Lahabe (Teacher), Camilla Walker (Doctor). In isiZulu with English subtitles.
Jot down answers to
the following questions, and answer three in detail (approx. 150 words
each). One of those
should be the final question. Try to bring in readings when possible.
1. Discuss the film’s title. Obviously, it refers to the lead character,
but like any good title, it functions on several levels. Discuss them.
2. Discuss the setting. How would you characterize the landscape
here?
3. What do you notice about the
village? What are the women in it
like? Do your feelings about the village
change over the course of the film?
4. You’ll notice that the film’s
structure follows the seasons of the
year. Why do you think the filmmakers chose to do it
that way?
5. Discuss the film’s opening? What is accomplished here?
6. Discuss
Yesterday. What kind of woman is
she? What does she look like, talk
like? Does she develop over the course
of the film?
7. Discuss Yesterday’s relationship with
her daughter, Beauty.
8. Discuss her relationship with her
husband. Trace its development.
9. How about her relationship with the
Teacher and the Doctor?
10. It comes as quite a shock when Yesterday
leaves her village for
11. How would you characterize the use of
music in the film? Contrast it with the
way that music was used in last week’s film, Out of Africa.
12. Discuss the film’s ending. Is it the right one for this film?
13. What do you think of the cinematography
(framing, lighting, camera movement) in the film? Any scenes that struck you?
14. Some have
criticized the film for being overly didactic, too much a “message” film with
respect to its depiction of AIDS in
15. This film was
nominated both for an Oscar (Best Foreign Film) and for an Emmy (because it was
co-produced by HBO and appeared on that network). So, it is a film
that is in some ways palatable to a mainstream American audience. Yet it could not
by any means be considered a