RACHID
BOUCHAREB
Director of Indigènes/Days of Glory
Rachid Bouchareb
was born in Paris in 1953 to
parents who had recently immigrated from Algeria. After receiving his degree from the Center
for the Study and Research of Image and Sound, he began work in television,
first as an assistant director, then as a director of TV movies for various
French networks (SFP, TF1, Antenna 2) from 1977 to 1984. At the same time, he began making short
films; his first short film, Perhaps the
Sea, was selected for screening at the Cannes Film Festival in 1983.
He made his first feature film, Baton Rouge,
two years later, while continuing to make short films and work in
television. Baton Rouge
tells the story of three friends who are obliged to move to the United
States to find work. In it we can find the major themes that will
come to embody Bouchareb’s work: the themes of identity, the (often failed)
effort to return to one’s roots, and the frustrations of the immigrant
experience.
With his next feature film, Dust of Life (1995), Bouchareb achieved
international status. This film, the
story of young Amerasian woman (her father a Black
American soldier who abandoned his Vietnamese family with the fall of Saigon),
won numerous awards, and was nominated for an Academy Award for Best Foreign
Film.
Little Senegal
(2001) is another film about crossing cultures—this time, however, within the
Black community. Its protagonist, played
by the wonderful, prolific African actor, Sotigui Kouyaté, from Burkina Faso, leaves his African home for the
United States, in an effort to reconnect with long-lost family—i.e., with the
descendents of African slaves torn from his people centuries before. He winds up in the Little Senegal section of Harlem,
encountering one problem after another. This film places the complex and often
difficult relationship between Africans and African-Americans front and center,
presenting it mainly through African eyes.
It achieved a great deal of success at international festivals (and was
a favorite at CFAF 14/2004).
However, it is with his most recent film, Indigènes/Days of Glory (2006) that Bouchareb has moved to a new level of success and
renown. The story of a group of Algerian
men who volunteer to fight in France
during World War II, it is both a gripping war film and a powerful tale of
misplaced illusions and miscommunication.
The film’s four leading actors were joint winners of the Best Acting
award at the 2006 Cannes Film Festival and this film too was nominated for Best
Foreign Film (submitted by Algeria)
at this year’s Oscars. The film made a
huge impact in France,
where it led President Chirac to restore the pensions of the veterans from North
Africa (they were frozen in 1959) and to put them at the same
level as their fellow veterans from France.
Along with his work as a director, Bouchareb
is active in the film world as a producer.
Together with Jean Bréhart, he created 3B
Productions in 1989 and Tadrat Films in 1997; through
them he has he produced films from around the world: Europe,
the Balkans, Canada,
Vietnam, Africa,
and the Middle East.
One of his most fruitful collaborations as a producer has been with the
French director Bruno Dumont, with whom he has made La Vie de Jésus, L’Humanité, and a number of other
films.
Bouchareb’s next film project
is a continuation of Days of Glory,
following the surviving soldier back to his home in Setif, Algeria,
on VE Day (May 8, 1945). This day of joy
for the Allied nations became a day of infamy in Algeria—the
beginning of the Setif Massacre, which ultimately
resulted in the deaths of 30,000 people and, Bouchareb
feels, was the beginning of armed rebellion against colonialism in Algeria.
--Michael
Dembrow
RETURN to CFAF 18.