Building a Speech | Stage
Fright | Ethics
What It's All
About!
The creation of a speech is an art and you are the
artist. You are creating something in a similar way as the
painter or the sculptor. The organization and words of the
speech is your canvas; the audience is your gallery. By
enrolling in this course, you are joining a group of people
who have participated in an age-old tradition of learning
the art of rhetoric.
We have all listened to many public presentations in our
lives, and the majority of them are simply bad. This is due
to many reasons, such as:
1.
the speaker is not
trained
Most speakers have never learned how to give
an appropriate speech - they are asked to speak because they
did something or they know something. For example, Mary has
organized a Neighborhood Watch Program and is asked to speak
to the City Council.
2. the speaker
is lazy
Many speakers refuse to put in the hard work
that is involved in creating a speech. Every speech takes
time and effort; you can't simply crank out a piece of art.
We are all aware of the painstaking work that is involved in
the creation of an effective essay, a beautiful painting, a
haunting poem, or a successful advertising campaign, but we
tend to think, "Heck; speaking is easy. I've been talking
all my life!"
3. the speaker
suffers from either positive or negative
egocentricity
Positive egocentricity is being
self-centered, not audience-centered. It is thinking, "I'm
great!" rather than, "How can I help this audience
understand the ideas here?"
Negative egocentricity is similar to positive, only the
mirror image: the speaker is scared spitless because they
are thinking of themselves and their performance rather than
the audience's understanding.
4. the speaker
reads a bloodless "essay" standing on his/her feet.
Many speakers write their speech out in an
essay form and then read the essay they have written. They
do not listen to themselves. There is an old saying, "A
speech is not an essay standing on it's feet." This means we
speak differently than we write. Poor speakers either forget
this or do not understand that communication is a contextual
process.
Each one of these problems creates a poor quality speech
and wastes the audience's time - the number one sin of any
speaker. A person who gives a poor quality 20 minute speech
to 200 people has wasted over 60 hours of audience time. If
a speaker is not willing to put in the time, then the
rewards can't be expect.
Introduction
| Stage
Fright |
Ethics
Building a
Speech
There are many elements of speechmaking and each element
is as important as the next. In order to create an effective
speech, all of these elements must be involved.
Communication is a holistic process; therefore, even though
you will not have had a lecture or reading assignment which
covers a specific area when your first graded speech is due,
I can not simply ignore that area. Because of this aspect in
the process of communication, I will go over the basic
elements of speech making briefly as you prepare your first
speech. Please realize I will be lecturing on each of these
aspects in more depth throughout the term:
1. Audience
analysis
Every speaker needs to know and understand
the audience to whom they are speaking, for every audience
is made up of different people. No two presentations will be
alike because no two audiences are alike. The speaker needs
to interact directly with that specific audience in order to
be effective. We understand that we do not speak in the same
manner when we talk to our friends as compared to our boss;
we use a different approach in order to persuade each of
situation, even if we are trying to convince them of the
same thing. A public presentation is no different.
2.
Organization
This is the logical ordering of the points of
your speech. Recognize that your audience does not know your
topic nor where you want to take the audience with that
topic. We as an audience need to be able to follow what you
say; it needs to make sense to us.
Do the points make sense? Does it follow in a logical
pattern?
"I went to school at Montclair High School. I was born in
July, 1950. I have two children. I received my Bachelor's
degree in 1982. I was so shy when I was young that my aunts
and uncles did not know I could speak." That is not logical
and it is hard to follow.
3.
Supporting
materials
You need to support what you say. Never
simply utter a sentence, but support your ideas. We want
proof that what you say is correct. We also want to
understand your specific ideas.These needs of the audience
will be covered by supporting your ideas.
"I have raised two sons who are really old now. My oldest
son, Christopher, is 27. I am always amaze he lived past the
age of 16.....not because he was so reckless, but because I
thought I just might have to kill him.
"My youngest son is 25. David was always that precocious
child who needed to understand the 'why' of everything. He
was the kid who would take apart things to find out how they
ran.....the clocks, the VCR, the computer."
By supporting my statements, I help you understand what I
mean by "really old" as well as support my statement that I
have two sons.
4.
Transitions
Transitions help the audience move from one
point to another. Once again, this helps us follow your
thoughts and ideas in a logical manner. Think of transitions
as the link between ideas. A strong transition should not
hit the listener over the head, but gently guide them into
the next point. This is accomplished by concluding one point
and introducing the next, while finding the bridge or
connection between the two points.
"Raising two sons has not only been a challenge as a
single parent, but ithas been a joy."
My first point, that raising two kids is a challenge, is
concluded and you can easily understand that the speech is
moving into the idea of the joys of parenthood.
5.
Introduction
The introduction is a vital aspect of any
speech. Listeners remember the first things they have heard.
It not only tells us the topic of discussion, but it's
purpose is to get us interested, involved, to narrow down
the focus of the speech, and to help the speaker attain some
credibility. If there is no introduction, the speaker has to
work even harder to attain our interest and involvement.
6.
Conclusion
As important (and just as often overlooked)
is the conclusion. Listeners remember the first things they
have heard....and the last. The purpose is to summarize the
content of the speech and to give it that note of finality.
7.
Language
The language you chose to describe things,
discuss things and argue things can help or it can hinder
the audience's understanding. There are three aspects of
language that must be observed: it should be
interesting,
active and above all else,
clear. Allow the audience to
see what you are describing. Use examples and creative
language to accomplish this. But remember, do not get
carried away and lose the clarity aspect. If you do, we will
have an image, but it will be fuzzy.
8.
Delivery
Delivery is the method of actually giving the
speech. It includes all aspects of nonverbal communication:
eye contact, gestures, voice, movement, facial expressions,
and clothing. You are able to help the audience better
interpret your message if your delivery is congruent with
your words.
Introduction | Building
a Speech | Ethics
Stage Fright
Comedian George Jessel once said, "The brain is a
wonderful thing. It never stops working from the time you
are born until the moment you stand up to give a speech."
One of the things everyone has in common is that we all
have some level of stress involved in giving a speech.
The Book of Lists (Wallechinsky et al, 1977) found
the Ten Worst Fears (in the United States) are:
1. Speaking before a
group
2.
Heights
3. Insects and
bugs
4. Financial
problems
5. Deep
water
6.
Sickness
7.
Death
8.
Flying
9.
Loneliness
10. Dogs
In fact, comedian Jerry Sienfeld said that is obvious we
would rather die than give the eulogy.
The fact that this anxiety is common is something
important because we tend to think we are the only ones who
experience it. There are different degrees of this felt
anxiety - some people feel only a slight twinge of anxiety
while on the opposite end of the spectrum some people become
aphasiac (lose the ability to speak). Most of us fall
somewhere in the middle of the spectrum.
What IS this phenomena? What are the physical changes we
experience? Some of the most common physical experiences
are:
- heart rate increases
- face/neck flushes
- increased perspiration
- weak knees
- queasy stomach
- dry mouth
- cloudy eyesight
- fuzzy thinking (brain damage!)
These are all physical reactions to the increased flow of
adrenaline. And when we experience these physical changes,
we label it as F E A R! It is the same reaction as when we
suddenly see a car speeding toward us, when we see a child
in the middle of traffic, and when an athlete enters the
playing field.
The "fight or flight" syndrome is what happens....and it
spurs us to action. We jump out of the way of the speeding
car, we run out and grab the child, and the athlete has a
higher level of performance. But with presenting a speech,
we think....no...can't run so have to put up with this.....
So, we want to relax and feel better, but that creates a
paradox. What happens when we relax?
1.
we give a boring
performance
2. we lack
spontaneity
3. we lack
conviction
4. we lack
sincerity
5. we lack direction
Remember what I said is the #1 sin of any speaker? To
waste the audience's time. A boring speech which lacks
conviction, direction and spontaneity will do this. So we
need some "creative performance tension" but we want to have
control over it. Each of us owns our own speech; it doesn't
rule us. There are ways to learn how to be in control of
your performance tension:
1.
Be prepared
Gather your information, research the topic, prepare an
organized outline, understand your purpose and direction of
the speech. Get all it together
2.
Practice
Talk through your speech - OUT LOUD! Never
practice the speech in your head. First of all, by
practicing your speech out loud, you get used to hearing
your voice. It helps you understand where your are going
with the speech and how it sounds logically and creatively.
Secondly, we think much faster than we speak, so therefore
your timing is accurately. Our brains are sneaky; they can
skip parts because we know them already. The slower pace of
speaking the speech out helps us recognize the holes and
missing parts.
Try to simulate the speaking situation as you practice.
This will help you stand in front of the audience and speak
directly to them when the time of presentation arrives.
Practice while standing up. Unless you are mobility
impaired, you will be standing while you present the speech,
so do this now. Any way you can simulate the speaking
situation helps you when the time comes.
Use any technology available to you: tape recorders (this
can help you hear the vocalized pauses and vocal intonation
patterns), mirrors (this can help you see your gestures and
movements), friends (they can give you creative feedback),
even animals are good listeners (and they never get sick of
the same speech!)
When you think you have practiced enough, practice some
more. I used to tell students to "practice a lot." The
problem with this directive is it is too ambiguous. When I
first started teaching this subject, I was unsure of my
knowledge and would hesitate to suggest to a student he or
she needed to practice more. I finally did and the student
said, "I practiced a lot!" I nodded and realized I needed to
understand what he meant by "a lot." He said, "Five times!"
I just shook my head and said, "Oh my....."a lot" to me is
at least 10 times that amount!"
Practicing "a lot" means to practice it enough so that
you own your speech. You understand the organization, the
formation, the reasoning. You are comfortable with the
language you are using. You feel the rhythm of the speech.
You have not memorized the speech (for that will cause you
to lose a feeling of spontaneity), but "own" it.
If the performance tension spurs you toward preparing and
practicing, it has done its job. Trying to conquer this
tension will only intensify it: your whole focus will be on
the way you feel. Use it and let it work for you.
On the day of your presentation, wear comfortable but
appropriate clothing. Comfortable so that you can forget
that aspect of the speech, and appropriate so that the
audience is not distracted by your clothing.
Eat a small meal. This will keep your energy level up.
Try to avoid caffeine. The whole purpose of caffeine is
to stimulate. Guess what? You already are stimulated! It
also tends to dry out your mouth and increases your heart
rate, which in turn increases perspiration.
Take deep breaths - slowly in, holding it for a few
seconds, and pushing it out. Yawn several times.
Move...gesture and move as you can.
Approach the front of the class with a look of
confidence; think positively. Paint a picture in your mind
of your success. Plant your feet, look at the audience and
smile. Remember you own this speech. You are the expert on
your speech. This small pause of silence shows the audience
you are in charge and control. Be confident you WILL
remember what you have practiced. Concentrate on the
materials and the performance, not on yourself and your
feelings.
Do not...repeat: DO NOT tell the audience how you
are feeling. This shifts the focus from the speech to you
the speaker and it makes the audience uncomfortable. The
audience must now pay attention to any nervous behaviors. It
also shifts your focus from the audience onto yourself. As
my mentor Professor Ben Padrow told me, "The audience does
not want to care how you feel, only how you look. Your
mother will care; call her. But allow the audience to listen
to your speech."
And most importantly, remember the audience does not want
you to fail. Each person has given up their time to listen
to you. They want you to succeed; they are on your side not
your enemy.
Introduction | Building
a Speech | Stage Fright
Ethics
There are a few basic things to remember when selecting
your topic, forming your argument and supports, and
presenting your speech. These are the basis of ethics.
Plato said in order to be a speaker, one must be a good
person. To speak in favor of evil was evilness in itself.
When you select a topic, remember your audience. Such topics
as how to create a bomb, how to effectively steal from the
college cafeteria or a speech which harms other beings is
not ethical. When you are trying to find an appropriate
topic, by-pass the sophomoric topics and look for something
with substance. A speech on how to prepare a box of macaroni
and cheese will waste your audience's time; a speech on what
you can creatively do with a box of macaroni and cheese may
not.
In order not to waste your audience's time, you need to
give them new information. For the most case, a speech for
or against abortion, euthanasia or the death penalty would
be a waste of time because there is no new information for
the audience muse over. These topics have been before the
audience hundreds of times and most people have already made
their decision on which side of issue they stand. If you
found new information and you created innovative ways of
presenting this information, then it would be a different
story. So keep in mind the level of information you gather -
how old it is and how obscure.
Pay attention to the accuracy of your information as
well. It is your job to present the most accurate and recent
information. When you speak on a topic, we expect you to
know what you are talking about.
The presentation of the information is also important.
While it can work to get your audience angry, it is not
appropriate to incite a riot. The recent Metzer case tried
in Portland is proof of this. The speaker is responsible for
the actions of the audience if the purpose of the speaker is
to incite violence.
This is not a difficult prospect....ethics are easy if
you keep your audience in mind as you prepare your speech.
Think about what they will need to know to believe you and
research your topic with enough depth in order to bring this
information to them. Think about what you want to accomplish
in your speech and follow through.